Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" - Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor Information

Acousticness: 94%
Danceability: 13%
Energy: 20%
Instrumentalness: 68%
Liveness: 16%
Loudness: 71%
Speechiness: 4%
Valence: 22%
Popularity: 28%
Loudness: -17.382 dB

Summary

Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor's 'Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme"' came out on January 1, 1979. Since Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 18 in Bach, J.S.: Cantata BWV 140, Magnificat BWV 243 by Johann Sebastian Bach, Maria Stader, Hertha Töpper, Ernst Haefliger, Dietrich Fischer-Dieskau, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter. Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" BPM

The tempo marking of Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo	Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach	G Major	2	9B	81 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren	Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink	B Minor	3	10A	89 BPM
Stabat Mater: 9. Sancta Mater	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	B♭ Major	1	6B	115 BPM
Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro	Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener	E Minor	2	9A	143 BPM
3-Part Inventions (Sinfonias) Nos. 1-15, BWV 787-801: Sinfonia No. 7 In E Minor, BWV 793	João Carlos Martins, Johann Sebastian Bach	E Minor	1	9A	115 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace	Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach	A Minor	3	8A	98 BPM
Wachet auf, ruft uns die Stimme, Cantata BWV 140: III. "Wann kommst du, mein Heil?"	Johann Sebastian Bach, Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter	C Minor	2	5A	76 BPM
Wer weiß, wie nahe mir mein Ende BWV 27	Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Johannete Zomer, Sandrine Piau, Sibylla Rubens, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer	F♯ Major	1	2B	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7423815727233887

End: 0.7461457252502441