On March 23, 1998, the song "Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace" was released by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach. Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach : Concertos For Two, Three And Four Harpsichords" album is number 6 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 2 In F Major, BWV 1047: I. [Allegro] | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 108 BPM | ||
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Serenade No. 2 in C Major, Op. 14: III. Allegro risoluto | Robert Fuchs, Cologne Chamber Orchestra, Christian Ludwig | E Major | 1 | 12B | 86 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: Presto | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F Major | 1 | 7B | 129 BPM | ||
Divertimento No. 17 in D Major, K. 334: V. Menuetto | Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 0 | 10B | 128 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F Minor | 1 | 4A | 96 BPM |
Section: 0.8994300365447998
End: 0.9027144908905029