Francesco Cavalli, Philippe Jaroussky made "Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo)" available on March 8, 2019. The duration of Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) is about 3 minutes long, at 3:19. Based on our data, "Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Ombra mai fu - Francesco Cavalli Opera Arias". In this album, this song's track order is #11. Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) by Francesco Cavalli, Philippe Jaroussky having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Philidor: Les Amazones: "Venez, troupe guerrière" - "Puisque tout est tranquille" - "Combattons, courrons à la gloire" (Thalestris, Hippolyte) | Andre Danican Philidor, Lea Desandre, Jupiter, Véronique Gens, Thomas Dunford | C Minor | 3 | 5A | 175 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Salomone amante: Partite dolori (Duetto) | Giovanni Paolo Colonna, Núria Rial, Valer Sabadus | F♯ Minor | 0 | 11A | 60 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Britten / Transcr. Garcia: Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre | Benjamin Britten, Philippe Jaroussky, Thibaut García | E Minor | 0 | 9A | 84 BPM | ||
Scarlatti,A: La Giuditta: "Ardea di fiamma impura" (Nutrice, Oloferne) | Alessandro Scarlatti, Philippe Jaroussky, Yannis François | B Major | 1 | 1B | 169 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM |
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