Philippe Jaroussky, Ensemble Artaserse's 'Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena)' came out on March 20, 2006. The duration of Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) is about 3 minutes long, at 3:16. Based on our data, "Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 14 in Beata Vergine by Philippe Jaroussky, Ensemble Artaserse. Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) by Philippe Jaroussky, Ensemble Artaserse is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Handel: Riccardo I, ré d'Inghilterra, HWV 23, Act 1: "Agitato da fiere tempeste" (Riccardo) | George Frideric Handel, Philippe Jaroussky | B Major | 4 | 1B | 129 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ricorda, o boschi ombrosi" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 3 | 2B | 139 BPM | ||
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir | Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson | D♭ Major | 1 | 3B | 145 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Folle è ben che si crede | Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità | C Major | 0 | 8B | 93 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM |
Section: 0.6243679523468018
End: 0.6282494068145752