Magnificat, W. E22: Et misericordia eius (Chorus)
Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider
Bach, C.P.E.: Magnificat / Bach, J.C.: Tantum Ergo
1:10 January 1, 2002
BPM
64
Key
B Major
Camelot
1B

Embed

Share Link

Magnificat, W. E22: Et misericordia eius (Chorus) - Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider Information

Acousticness
94%
Danceability
32%
Energy
29%
Instrumentalness
3%
Liveness
10%
Loudness
70%
Speechiness
4%
Valence
25%
Popularity
Loudness
-17.891 dB

Summary

Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider's 'Magnificat, W. E22: Et misericordia eius (Chorus)' came out on January 1, 2002. With Magnificat, W. E22: Et misericordia eius (Chorus) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 16 in Bach, C.P.E.: Magnificat / Bach, J.C.: Tantum Ergo by Michael Schneider. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Magnificat, W. E22: Et misericordia eius (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat, W. E22: Et misericordia eius (Chorus) BPM

The tempo marking of Magnificat, W. E22: Et misericordia eius (Chorus) by Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Magnificat, W. E22: Et misericordia eius (Chorus) Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vesperae solennes de confessore, K. 339: Laudate Dominum by Wolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John RutterVesperae solennes de confessore, K. 339: Laudate DominumWolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John RutterF Major17B174 BPM
Komm, Jesu, komm, BWV 229 by Johann Sebastian Bach, The Monteverdi Choir, John Eliot GardinerKomm, Jesu, komm, BWV 229Johann Sebastian Bach, The Monteverdi Choir, John Eliot GardinerF♯ Minor111A131 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus) by Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg FunfgeldWachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus)Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg FunfgeldF Minor14A75 BPM
Keyboard Sonata in D Major, Op. 5 No. 2: I. Allegro di molto by Johann Christian Bach, Ingrid HaeblerKeyboard Sonata in D Major, Op. 5 No. 2: I. Allegro di moltoJohann Christian Bach, Ingrid HaeblerA Major211B129 BPM
L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno by Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des NationsL'Orfeo, Ato primo: I. In questo lieto e fortunato giornoClaudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des NationsA Minor18A108 BPM
Purcell : King Arthur : Overture to Act 1 by William ChristiePurcell : King Arthur : Overture to Act 1William ChristieC Minor25A140 BPM
Ein deutsches Requiem, Op.45: 4. Chor: Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener SingvereinE♭ Major15B130 BPM
Exsultate, jubilate, K.165: 1. Exsultate, jubilate by Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni AntoniniExsultate, jubilate, K.165: 1. Exsultate, jubilateWolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni AntoniniG Major19B105 BPM
Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London BaroqueMusiche sacre: No. 23, Canzon à 3Francesco Cavalli, London BaroqueA♭ Minor11A122 BPM
ISRC
DEB260100312
Label
L-M Records/RCA Records

Section: 1.1737563610076904

End: 1.1782031059265137