Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider's 'Magnificat, W. E22: Et misericordia eius (Chorus)' came out on January 1, 2002. With Magnificat, W. E22: Et misericordia eius (Chorus) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 16 in Bach, C.P.E.: Magnificat / Bach, J.C.: Tantum Ergo by Michael Schneider. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Magnificat, W. E22: Et misericordia eius (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, W. E22: Et misericordia eius (Chorus) by Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore, K. 339: Laudate Dominum | Wolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John Rutter | F Major | 1 | 7B | 174 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus) | Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | F Minor | 1 | 4A | 75 BPM | ||
Keyboard Sonata in D Major, Op. 5 No. 2: I. Allegro di molto | Johann Christian Bach, Ingrid Haebler | A Major | 2 | 11B | 129 BPM | ||
L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno | Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations | A Minor | 1 | 8A | 108 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
Section: 1.1737563610076904
End: 1.1782031059265137