"Vesperae solennes de confessore, K. 339: Laudate Dominum" by Wolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John Rutter was released on April 24, 2012. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "This is the Day: Music on Royal Occasions". In this album, this song's track order is #2. The popularity of Vesperae solennes de confessore, K. 339: Laudate Dominum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vesperae solennes de confessore, K. 339: Laudate Dominum by Wolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John Rutter having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: III. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | A Major | 0 | 11B | 119 BPM | ||
Requiem in D minor, K.626: Tuba mirum | Wolfgang Amadeus Mozart, Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 128 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter | E♭ Major | 1 | 5B | 96 BPM | ||
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM |
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