Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro's 'Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit"' came out on October 26, 2018. Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 15 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" by Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Stabat Mater, RV 621: III. O quam tristis et afflicta | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM |
Section: 0.7593293190002441
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