"Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante" by Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman was released on April 13, 2018. The duration of Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers's "Home" album is number 19 out of 21. On top of that, Australia appears to be the country where this track was created. Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante by Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Peer Gynt, Op. 23: Solveigs sang (Solveig´s Song) | Edvard Grieg, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 0 | 5B | 90 BPM | ||
Nana (Bercuese) from Siete conciones populares Espanolas | Manuel de Falla, Joshua Bell, Michael Stern | A Major | 1 | 11B | 89 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM | ||
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Edward Higginbottom, Capricorn Ensemble, Choir of New College, Oxford | G Major | 1 | 9B | 76 BPM | ||
Agnus Dei, Op.11 | Samuel Barber, The Choir Of Trinity College, Cambridge, Richard Marlow | B♭ Minor | 0 | 3A | 64 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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