"Four Songs, Op.2: 2. The Nightingale and the Rose" by Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman had its release date on April 13, 2018. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Four Songs, Op.2: 2. The Nightingale and the Rose's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers's "Home" album is number 12 out of 21. Four Songs, Op.2: 2. The Nightingale and the Rose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Songs, Op.2: 2. The Nightingale and the Rose by Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
String Sextet In A Major: II. Rondo Fugato: Allegretto Grazioso | Wiener Streichsextett, Nikolai Rimsky-Korsakov | A Major | 1 | 11B | 119 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Le Villi: Prelude | Giacomo Puccini, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 71 BPM |