"La Bohème / Act I: "Quando Me'n Vò"" by Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda was released on January 1, 2003. The duration of La Bohème / Act I: "Quando Me'n Vò" is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. La Bohème / Act I: "Quando Me'n Vò"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Opera Arias". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Bohème / Act I: "Quando Me'n Vò"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act I: "Quando Me'n Vò" by Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Don Giovanni, K. 527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Cesare Siepi, Wiener Philharmoniker, Josef Krips | F Major | 2 | 7B | 104 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Madama Butterfly, Act III: Addio, fiorito asil | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Accellerationen Walzer, Op. 234 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 107 BPM |
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