"Rienzi: Overture" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1994. Rienzi: Overture appears to be safe for all ages as it is not explicit. This song is part of Wagner: Orchestral Favourites by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #1 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rienzi: Overture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rienzi: Overture by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rienzi: Overture being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In E Major, WWV 35: II. Adagio Cantabile | Richard Wagner, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi | A Major | 0 | 11B | 70 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Swan Lake Suite, Op. 20a: II. Waltz | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 103 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM |
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