"Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore"" by Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti was released on 2004. The duration of Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" is about 3 minutes long, at 3:20. Based on our data, "Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kiri Te Kanawa's "Kiri -Her Greatest Hits" album is number 10 out of 29. In terms of popularity, Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" by Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Gypsy Melodies, Op. 55, No. 4 - Songs My Mother Taught Me | Antonín Dvořák, Arthur Grumiaux, Istvan Hajdu | D♭ Major | 0 | 3B | 74 BPM | ||
Luisa Miller / Act 2: Quando le sere al placido chiaror d'un ciel stellato | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Peter Maag | A♭ Major | 2 | 4B | 93 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" - Live | Wolfgang Amadeus Mozart, Renée Fleming, Anne Sofie von Otter, Michele Pertusi, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | G Major | 1 | 9B | 85 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM |
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