"An den Mond (Geuss, lieber Mond), D. 193" by Franz Schubert, Wolfgang Holzmair, Ulrich Eisenlohr was released on December 13, 2005. The duration of An den Mond (Geuss, lieber Mond), D. 193 is about 3 minutes long, at 3:03. Based on our data, "An den Mond (Geuss, lieber Mond), D. 193" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Schubert: Lied Edition 20 - Poets of Sensibility, Vol. 3". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. An den Mond (Geuss, lieber Mond), D. 193 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An den Mond (Geuss, lieber Mond), D. 193 by Franz Schubert, Wolfgang Holzmair, Ulrich Eisenlohr having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Siciliano in G Minor, BWV 1031 | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 0 | 6A | 73 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace | Camille Saint-Saëns, Joachim Trio | F Major | 1 | 7B | 99 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM | ||
Schubert: Meeresstille | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | C Major | 0 | 8B | 168 BPM | ||
6 Moments musicaux, Op. 16: No. 3, Andante cantabile | Sergei Rachmaninoff, Boris Giltburg | B Minor | 0 | 10A | 103 BPM | ||
Piano Sonata in F Major, KV332: II. Adagio | Ingrid Haebler | B♭ Major | 0 | 6B | 73 BPM |
Section: 0.7512955665588379
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