Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie made "Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro)" available on January 1, 1987. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Adolf Hasse, Emma Kirkby, William Christie's "Hasse, J.A.: Cleofide [Opera] (Kirby)" album is number 18 out of 69. Based on our statistics, Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) by Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Exsultate, jubilate, K.165: 3. Tu virginum corona | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 0 | 11B | 107 BPM | ||
Magnificat in D Major, BWV 243: VII. Fecit potentiam | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale | D♭ Major | 3 | 3B | 92 BPM | ||
Rameau : Hippolyte et Aricie : Act 2 "Vous, qui de l'avenir percez la nuit profonde" [Pluto, Chorus] | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Alcina / Act 1: Tornami a vagheggiar | George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie | A Major | 2 | 11B | 139 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM |
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