"Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live" by Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir was released on December 8, 1986. Since Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: Vespers of the Blessed Virgin" album is number 6 out of 14. On top of that, Germany appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live by Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Stabat Mater: Vidit suum dulcem Natum | Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 34 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM |
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