"Stabat Mater: Vidit suum dulcem Natum" by Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis was released on January 1, 2013. With Stabat Mater: Vidit suum dulcem Natum being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: Vidit suum dulcem Natum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Vidit suum dulcem Natum by Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis having a BPM of 34 with a half-time of 17 BPM and a double-time of 68 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Stabat Mater in G minor: Vidit suum dulcem | Agostino Steffani, Gustav Leonhardt | F♯ Minor | 0 | 11A | 101 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | ||
Carlo Magno: "A noi vivi donna eccelsa" | Vincenzo Manfredini, Cecilia Bartoli, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D Major | 4 | 10B | 139 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] | William Christie | B♭ Major | 1 | 6B | 137 BPM | ||
Rossi: L'Orfeo, Act 1: "Mio ben, teco il tormento" (Euridice) | Luigi Rossi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 96 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Wer hat dich so geschlagen (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 174 BPM |
Section: 0.5250065326690674
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