William Christie made "Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]" available on 1995. The duration of Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #39. Based on our statistics, Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] by William Christie having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido & Aeneas: Dido & Aeneas: Act I, Belinda, Second Woman "Fear no danger to ensue" | Henry Purcell, Maria Cristina Kiehr, Rosemary Joshua, René Jacobs, Orchestra of the Age of Enlightenment | B Major | 2 | 1B | 103 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Handel: Serse, HWV 40, Act 3, Scene 9: Duetto. "Troppo oltraggi la mia fede" (Romilda, Arsamene) | George Frideric Handel, William Christie, Elizabeth Norberg-Schulz, Lawrence Zazzo, Les Arts Florissants | A♭ Major | 3 | 4B | 103 BPM | ||
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
Dido and Aeneas, Z. 626: Act I: Aeneas, Belinda: If not for mine, for Empire's sake | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | F♯ Major | 1 | 2B | 118 BPM | ||
Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |
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