"Miserere: II. Amplius lava me - Tibi soli peccavi" by Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé was released on March 9, 2015. The duration of Miserere: II. Amplius lava me - Tibi soli peccavi is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Miserere: II. Amplius lava me - Tibi soli peccavi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 3 out of 44. Based on our statistics, Miserere: II. Amplius lava me - Tibi soli peccavi's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere: II. Amplius lava me - Tibi soli peccavi by Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prothimia suavissima, Book 2: Sonata No. 11 | Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque | G Minor | 2 | 6A | 104 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Psyche, Act V Scene 1: Be gone, fair Psyche (Proserpina & Pluto) | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: II. Cuius animam gementem (Soprano) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | F♯ Major | 1 | 2B | 82 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Motetto "Ostro picta, armata spina", RV. 642, Introduzione al Gloria: Aria "Ostro picta, armata spina" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew, Sophie Karthäuser | B Minor | 1 | 10A | 75 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM |
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