- BPM
- 104
- Key
- G Minor
- Camelot
- 6A
Prothimia suavissima, Book 2: Sonata No. 11 - Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque Information
- Acousticness
- 84%
- Danceability
- 31%
- Energy
- 20%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 21%
- Loudness
- -14.382 dB
Summary
"Prothimia suavissima, Book 2: Sonata No. 11" by Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque was released on January 1, 2008. Since Prothimia suavissima, Book 2: Sonata No. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Sweet Desire". In this album, this song's track order is #4. In terms of popularity, Prothimia suavissima, Book 2: Sonata No. 11 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prothimia suavissima, Book 2: Sonata No. 11 BPM
With Prothimia suavissima, Book 2: Sonata No. 11 by Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Prothimia suavissima, Book 2: Sonata No. 11 Key
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Partie (Suite) in G Major: II. Allemande | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 76 BPM | |
 | Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM | |
 | Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | |
 | Violin Concerto in D Major, RV 208 "Grosso mogul": II. Grave recitativo | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Enrico Onofri | A♭ Major | 4 | 4B | 119 BPM | |
 | El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | |
 | 12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | |
 | Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | |
 | Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5483896732330322
End: 0.5531964302062988