Vespro della beata Vergine (1610): Concerto - Duo Seraphim - Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players Information

Acousticness: 90%
Danceability: 21%
Energy: 18%
Instrumentalness: 0%
Liveness: 12%
Loudness: 63%
Speechiness: 4%
Valence: 15%
Popularity: 17%
Loudness: -22.013 dB

Summary

"Vespro della beata Vergine (1610): Concerto - Duo Seraphim" by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players was released on January 1, 1984. With this song being about 5 minutes long, at 4:53, "Vespro della beata Vergine (1610): Concerto - Duo Seraphim" by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vespro della beata Vergine 1610 by Claudio Monteverdi, Andrew Parrott. The song's track number on the album is #4 out of 36 tracks. Vespro della beata Vergine (1610): Concerto - Duo Seraphim is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vespro della beata Vergine (1610): Concerto - Duo Seraphim BPM

Since Vespro della beata Vergine (1610): Concerto - Duo Seraphim by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vespro della beata Vergine (1610): Concerto - Duo Seraphim being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Vespro della beata Vergine (1610): Concerto - Duo Seraphim Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Amarilli mia bella	Giulio Caccini, Andreas Scholl, Edin Karamazov	E Major	0	12B	91 BPM
L'Orfeo, SV 318: Act I: Io non diro qual sia nel tuo gioir (Euridice)	Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana	E Minor	1	9A	0 BPM
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir	Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson	D♭ Major	1	3B	145 BPM
Sub tuum praesidium, H. 28	Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé	G Minor	1	6A	126 BPM
Crudel, perche mi fuggi	Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini	G Major	1	9B	87 BPM
In ecclesiis (a 14), C78	Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury	A Minor	1	8A	79 BPM
O God, Thou Art my God	Henry Purcell, Voces8, Les Inventions	B Major	1	1B	79 BPM
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani)	Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs	F♯ Major	0	2B	86 BPM
Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156	Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes	B Minor	1	10A	78 BPM
Evening Hymn, Z.193	Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood	E Minor	1	9A	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5125188827514648

End: 0.5169353485107422