"Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156" by Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes was released on January 5, 2009. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 15 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 by Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Atto quinto: I. Ritornello | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Gerd Türk, Le Concert Des Nations | D Major | 1 | 10B | 122 BPM | ||
Cima: "Surge, propera, amica mea" | Philippe Jaroussky, Jean Tubéry | C Major | 0 | 8B | 64 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat "Fecit potentiam in brachio suo" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | E Major | 1 | 12B | 92 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM | ||
La Villanella, Terza parte, Alle nozze: IV. Ai conviti, alle nozze | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio, Hans-Jörg Mammel | C Major | 2 | 8B | 116 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Pergolesi: Laudate pueri: II. A solis ortu | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 1 | 11B | 84 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Handel: Partenope, HWV 27, Act 2: "Furibondo spira il vento" (Arsace) | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | G Major | 0 | 9B | 95 BPM |
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