Henry Purcell, Simone Kermes, Enrico Casazza made "The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion" available on March 4, 2016. The duration of The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Simone Kermes's "Love" album is number 7 out of 17. The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion by Henry Purcell, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Porpora: Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 137 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here The Deities Approve | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B♭ Minor | 2 | 3A | 105 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 3 Scene 1: "See the flags and streamers curling" (Sorceress, First Witch, Second Witch) | Henry Purcell, Emmanuelle Haïm | A Major | 2 | 11B | 174 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri | B♭ Major | 0 | 6B | 76 BPM |
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