"Violin Concerto In D Major, Op. 35: I. Moderato nobile" by Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn was released on 1994. Since Violin Concerto In D Major, Op. 35: I. Moderato nobile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Erich Wolfgang Korngold, Gil Shaham, André Previn, London Symphony Orchestra's "Korngold: Orchestral Works" album is number 5 out of 42. On top of that, Germany appears to be the country where this track was created. The popularity of Violin Concerto In D Major, Op. 35: I. Moderato nobile is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto In D Major, Op. 35: I. Moderato nobile by Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Le Corsaire: Pas de deux | Riccardo Drigo, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 76 BPM | ||
Flute Concertino, Op. 107 | Cécile Chaminade, Sharon Bezaly, Hague Residentie Orchestra, Neeme Järvi | E Minor | 0 | 9A | 74 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 1. Allegro moderato | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F Major | 1 | 7B | 94 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM |
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