Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin - Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner Information

Acousticness: 95%
Danceability: 24%
Energy: 4%
Instrumentalness: 0%
Liveness: 8%
Loudness: 41%
Speechiness: 5%
Valence: 38%
Popularity: 14%
Loudness: -35.259 dB

Summary

Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner's 'Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin' came out on January 1, 1994. With Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 18 in Fauré: Requiem / Debussy: Trois chansons de Charles d'Orléans / Saint-Saëns: Calme des nuits by The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin BPM

The tempo marking of Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin by Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano	Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov	E Minor	8	9A	128 BPM
L'isle joyeuse, L. 106	Claude Debussy, Seong-Jin Cho	B Minor	1	10A	102 BPM
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal)	Johann Sebastian Bach, Víkingur Ólafsson	B Minor	0	10A	71 BPM
Etude in F Minor	Felix Mendelssohn, Benjamin Frith	B♭ Major	0	6B	75 BPM
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante	Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield	E♭ Major	1	5B	120 BPM
Liebestraum	Franz Liszt, Arthur Rubinstein	A♭ Major	2	4B	95 BPM
24 Preludes, Op. 11: No. 4 in E Minor	Alexander Scriabin, Evgeny Zarafiants	F Major	1	7B	99 BPM
Deux Arabesques L. 66: No. 1 Andante con moto	Claude Debussy, Zoltán Kocsis	E Major	0	12B	70 BPM
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live	Ludwig van Beethoven, András Schiff	G Minor	1	6A	137 BPM
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	101 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8089821338653564

End: 0.8149967193603516