"Deux Arabesques L. 66: No. 1 Andante con moto" by Claude Debussy, Zoltán Kocsis was released on January 1, 1990. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 14 in Debussy: Images Books 1 & 2/Arabesques/Rêverie etc. by Claude Debussy, Zoltán Kocsis. Deux Arabesques L. 66: No. 1 Andante con moto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deux Arabesques L. 66: No. 1 Andante con moto by Claude Debussy, Zoltán Kocsis is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Estampes: I. Pagodes. Modérément animé | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |
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