"Vespers of 1610: Pulchra es" by Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen was released on September 29, 2014. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 5 out of 37. Vespers of 1610: Pulchra es is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610: Pulchra es by Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, meine Freude, BWV 227: Gute Nacht, o Wesen | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | A♭ Minor | 0 | 1A | 115 BPM | ||
Altri Canti D’Amor - Tu Cui Tessuta Han Die Cesare Alloro | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | D Major | 1 | 10B | 172 BPM | ||
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Laudibus in sanctis | The Sixteen | E♭ Major | 3 | 5B | 88 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 2 | 5A | 118 BPM | ||
O Euchari in leta via | Hildegard von Bingen, Grace Davidson | A Major | 0 | 11B | 82 BPM | ||
Vesperae Solennes de Confessore: Beatus vir - Live | Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields | G Major | 1 | 9B | 143 BPM |
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