"L'incoronazione di Poppea: "Pur ti miro"" by Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana was released on October 7, 2013. With this song being about 5 minutes long, at 4:36, "L'incoronazione di Poppea: "Pur ti miro"" by Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 13 in Amore e morte dell'amore by Roberta Invernizzi, Sonia Prina, Ensemble Claudiana. Going off of the ISRC code of this track, we detected that the origin of this track is from France. L'incoronazione di Poppea: "Pur ti miro" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'incoronazione di Poppea: "Pur ti miro" by Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op.48: 5. Agnus Dei (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Minor | 0 | 7A | 76 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
Bist du bei mir, BWV 508 | Gottfried Heinrich Stölzel, Karina Gauvin, Luc Beauséjour | D Major | 1 | 10B | 66 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM |
Section: 0.6093158721923828
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