"Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. The duration of Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Sinfonia (Improvvisata) in C major: I Allegro | Fabio Biondi | C Major | 3 | 8B | 134 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Le Badinage, IV.87 (Marais) | Jordi Savall | F Minor | 1 | 4A | 172 BPM | ||
Berceuse, Op. 16 (Arr. by Bergström) | Gabriel Fauré, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 95 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |
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