"Prince Igor, Act II: Polovtsian Dances, Dance II" by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France was released on March 9, 2018. The duration of Prince Igor, Act II: Polovtsian Dances, Dance II is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Prince Igor, Act II: Polovtsian Dances, Dance II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 5 in Borodin Polovstian Dances (from "Prince Igor") by Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Prince Igor, Act II: Polovtsian Dances, Dance II is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prince Igor, Act II: Polovtsian Dances, Dance II by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Cessate, omai cessate, RV 684: Ah, ch'infelice sempre | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | G Minor | 1 | 6A | 108 BPM | ||
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Polka Helene | Alexander Borodin, Alexander Sandler, Peter Laul | D Major | 1 | 10B | 105 BPM |
Section: 1.0680146217346191
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