"Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig" by Robert Schumann, Leonard Bernstein, New York Philharmonic was released on 1961. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Schumann: Symphonies Nos. 3 & 4". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig by Robert Schumann, Leonard Bernstein, New York Philharmonic having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Hebriden Overture, Op. 26 (Remastered) | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 143 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Presto | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 2 | 4A | 125 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Piano Quintet In A, Op.81, B. 155: 4. Finale (Allegro) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 123 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Vladimir Horowitz | C Major | 0 | 8B | 94 BPM | ||
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | ||
Cello Concerto in A Minor, Op.129: III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller | Mstislav Rostropovich, Orchestre National De France, Leonard Bernstein | C Major | 2 | 8B | 106 BPM |
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