"Le carnaval des animaux, R. 125: 4. Tortues" by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic was released on November 2, 2018. With Le carnaval des animaux, R. 125: 4. Tortues being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #20. Based on our statistics, Le carnaval des animaux, R. 125: 4. Tortues's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: 4. Tortues by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite, L. 65: IV. Ballet | Claude Debussy, Robert Casadesus, Gaby Casadesus | D Major | 1 | 10B | 132 BPM | ||
Le carnaval des animaux, R. 125: 5. L'Élephant | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 139 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
Saint Saens: Le Carnaval des animaux | 김준영 | G Major | 0 | 9B | 88 BPM | ||
Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Printemps (arr. H. Busser for orchestra): II. Modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A Major | 3 | 11B | 95 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 3. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E♭ Major | 3 | 5B | 101 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Mambo (Meno presto) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | E Minor | 8 | 9A | 137 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM |
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