"Don Quixote, Op. 35: Introduction" by Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher was released on January 1, 1990. Don Quixote, Op. 35: Introduction is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Strauss: Don Quixote, Don Juan". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Don Quixote, Op. 35: Introduction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote, Op. 35: Introduction by Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Concerto in F Major: III. Tempo di minuetto | Karl Kohaut, Alirio Díaz, I Solisti di Zagreb, Antonio Janigro | F Major | 1 | 7B | 124 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM | ||
Symphony No.1 In C Minor, Op.68: 3. Un poco allegretto e grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 84 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | F Major | 2 | 7B | 128 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-Girl | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Minor | 0 | 8A | 138 BPM | ||
Symphony No.4 In F Minor, Op.36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | C Major | 1 | 8B | 150 BPM | ||
En blanc et noir (arr. R. Holloway for orchestra): III. Scherzando | Claude Debussy, Robin Holloway, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 74 BPM |
Section: 1.148667812347412
End: 1.152461051940918