Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra's 'Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino' came out on August 19, 2022. Since Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Prokofiev: Violin Concertos Nos. 1 & 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino by Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | E Minor | 1 | 9A | 127 BPM | ||
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | G Major | 2 | 9B | 165 BPM | ||
The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer) | Nikolai Rimsky-Korsakov, Pierre Fournier, Lamar Crowson | A Minor | 2 | 8A | 87 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Finale | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio - Allegro molto - Live | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | E Minor | 0 | 9A | 122 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM |
Section: 0.8075659275054932
End: 0.8120489120483398