On May 16, 2020, the song "The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer)" was released by Nikolai Rimsky-Korsakov, Pierre Fournier, Lamar Crowson. With The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 80 in the song's album "Romantic Vol.1". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer) by Nikolai Rimsky-Korsakov, Pierre Fournier, Lamar Crowson having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Suite for Cello Solo No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Pierre Fournier | B Minor | 0 | 10A | 68 BPM | ||
La Précieuse (in the style of Louis Couperin) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 80 BPM | ||
Dans les steppes de L'Asie Centrale, poème symphonique | Alexander Borodin, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | A Major | 0 | 11B | 81 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation VII | Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda | F Major | 0 | 7B | 116 BPM | ||
The Snow Maiden / Act 1: "Snegurochka, odna stoyit, bednyazhka!" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Sofiya Jankovich, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: I. Adagio - Allegro vivace | Felix Mendelssohn, Artemis Quartet | A Minor | 1 | 8A | 99 BPM |
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