"Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto" by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik was released on 1970. With this song being about 5 minutes long, at 5:18, "Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto" by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Janácek: Sinfonietta; Taras Bulba" album is number 2 out of 8. Based on our statistics, Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 78 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1 (Arr. J. Burghauser for String Quartet): No. 4, The Madonna of Frydek | Leoš Janáček, Jarmil Burghauser, Quartetto Energie Nove | F Major | 1 | 7B | 81 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | F Major | 0 | 7B | 71 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 2 / 2. The Masque: Extremely fast | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 133 BPM |
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