- BPM
- 82
- Key
- A Minor
- Camelot
- 8A
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" - Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum Information
- Acousticness
- 91%
- Danceability
- 42%
- Energy
- 41%
- Instrumentalness
- 0%
- Liveness
- 42%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 46%
- Popularity
- 1%
- Loudness
- -17.979 dB
Summary
Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum made "Carmina Burana / 3. Cour d'amours: "Circa mea pectora"" available on January 1, 1988. The duration of Carmina Burana / 3. Cour d'amours: "Circa mea pectora" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Circa mea pectora"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #18. Carmina Burana / 3. Cour d'amours: "Circa mea pectora" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" BPM
With Carmina Burana / 3. Cour d'amours: "Circa mea pectora" by Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 36 in C, K.425 - "Linz": 2. Andante | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Eugen Jochum | C Major | 1 | 8B | 87 BPM | |
 | Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | |
 | Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | |
 | Symphony No. 4 in E Flat Major "Romantic", WAB 104: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) | Anton Bruckner, Berliner Philharmoniker, Eugen Jochum | D♭ Major | 2 | 3B | 103 BPM | |
 | Verdi: Messa da Requiem: XIII. Hostias | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | |
 | Pagliacci / Act 1: "Son qua! Ritornano" | Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | F♯ Major | 3 | 2B | 81 BPM | |
 | Nabucco / Act IV: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 1 | 8B | 68 BPM | |
 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | |
 | Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7219007015228271
End: 0.7263295650482178