Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" - Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness: 95%
Danceability: 25%
Energy: 21%
Instrumentalness: 0%
Liveness: 55%
Loudness: 72%
Speechiness: 4%
Valence: 22%
Popularity: 10%
Loudness: -16.991 dB

Summary

Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan's 'Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg"' came out on January 1, 1968. The duration of Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Das Rheingold by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #19 out of 44 tracks. The popularity of Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" BPM

Since Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" by Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.

Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eine Alpensinfonie, Op. 64, TrV 233: III. Der Anstieg	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	4	5B	69 BPM
Die Walküre, WWV 86B / Act III: "So tatest du, was so gern zu tun ich begehrt"	Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	1	1A	79 BPM
Symphony No.9 In D / 4. Satz: Fliessender, doch durchaus nicht eilend	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	B Major	3	1B	72 BPM
Salome, Op. 54 / Scene 4: "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!"	Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Uwe Peper, Karl-Ernst Mercker, Peter Maus, Warren Mok, Friedrich Molsberger, Manfred Röhrl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	D Minor	4	7A	86 BPM
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A Major	3	11B	105 BPM
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto)	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod)	Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan	B Major	2	1B	176 BPM
Carmina Burana / 3. Cour d'amours: "Circa mea pectora"	Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum	A Minor	4	8A	82 BPM
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio. Allegro molto e vivace	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	149 BPM
Die Schöpfung, Hob. XXI:2 / Erster Teil: 3. Rezitativ: "Und Gott machte das Firmament"	Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	72 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6222772598266602

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