Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan made "Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo" available on January 1, 1995. The duration of Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Smetana: The Moldau / Sibelius: Finlandia; Pelléas et Mélisande / Liszt: Les Préludes". In this album, this song's track order is #10. In terms of popularity, Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Langsam - Glockengeläute | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | F Major | 1 | 7B | 170 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM | ||
Symphony No. 9 in D Minor, WAB 109: 2. Scherzo (Bewegt lebhaft) - Live | Anton Bruckner, Berliner Philharmoniker, Wilhelm Furtwängler | D Minor | 3 | 7A | 116 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM |
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