"Requiem: IIf. Rex tremendae" by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan was released on April 26, 2024. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Verdi, Herbert von Karajan, Antonio Vivaldi's "Karajan A-Z: Verdi - Vivaldi" album is number 235 out of 304. On top of that, Germany appears to be the country where this track was created. The popularity of Requiem: IIf. Rex tremendae is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: IIf. Rex tremendae by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
Symphony No.9 In D / 1. Satz: Ploetzlich bedeutend langsamer (Lento) und leise | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 78 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 91 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Die Walküre, WWV 86B / Act III: "Leb wohl, du kühnes, herrliches Kind!" | Richard Wagner, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |
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