"Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang" by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 22 in the song's album "Strauss, R.: An Alpine Symphony Op.64". In this album, this song's track order is #21. Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 139 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 6 | 5B | 70 BPM | ||
Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 7 Notturno - Con moto tranquillo | Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker | E Major | 0 | 12B | 83 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 4. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | F Minor | 4 | 4A | 80 BPM | ||
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VII (Ein wenig ruhiger als vorher) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
La mer, L. 109: I. From Dawn Till Noon on the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 68 BPM |
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