- BPM
- 90
- Key
- B♭ Major
- Camelot
- 6B
Requiem in D minor, K.626: 6. Benedictus - Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 7%
- Instrumentalness
- 2%
- Liveness
- 60%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 20%
- Loudness
- -26.856 dB
Summary
"Requiem in D minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. With this song being about 5 minutes long, at 5:08, "Requiem in D minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Barbara Bonney, Anne Sofie von Otter, Hans Peter Blochwitz, Willard White, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Requiem; Kyrie in D minor" album is number 12 out of 15. In terms of popularity, Requiem in D minor, K.626: 6. Benedictus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in D minor, K.626: 6. Benedictus BPM
We consider the tempo marking of Requiem in D minor, K.626: 6. Benedictus by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Requiem in D minor, K.626: 6. Benedictus Key
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt | G Minor | 3 | 6A | 120 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 115 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op. 61: No. 4, Andante | Felix Mendelssohn, London Symphony Orchestra, Frankie Wakefield, John Eliot Gardiner, Ceri-lyn Cissone | E Minor | 0 | 9A | 92 BPM | |
 | Idomeneo: Atto III, sc.3. No.21 Quartetto Idamante, Ilia, Idomeneo, Elettra "Andrò ramingo e solo" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Freiburger Barockorchester, Sunhae Im, Richard Croft, Bernarda Fink | F Major | 0 | 7B | 88 BPM | |
 | Ein deutsches Requiem, Op.45: 6. Solo (Bariton) und Chor: "Denn wir haben hie keine bleibende Statt" | Johannes Brahms, Rod Gilfry, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 1 | 8B | 111 BPM | |
 | Mass in B Minor, BWV 232: Dona nobis pacem (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Major | 1 | 7B | 108 BPM | |
 | St. John Passion, BWV 245: Part I: Aria: Ich folge dir gleichfalls (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 99 BPM | |
 | Mass in C Major, K. 317 "Coronation": VI. Agnus Dei | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 76 BPM | |
 | Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6669683456420898
End: 0.6721022129058838