Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle"
Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt
Haydn: Die Schöpfung
3:34 October 2, 2015
BPM
120
Key
G Minor
Camelot
6A

Embed

Share Link

Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" - Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt Information

Acousticness
98%
Danceability
37%
Energy
28%
Instrumentalness
69%
Liveness
6%
Loudness
70%
Speechiness
4%
Valence
45%
Popularity
Loudness
-17.833 dB

Summary

Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt made "Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle"" available on October 2, 2015. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe's "Haydn: Die Schöpfung" album is number 3 out of 32. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" BPM

We consider the tempo marking of Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" by Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus) by Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter MarschikDie Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus)Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter MarschikB♭ Major06B120 BPM
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni by Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger BarockorchesterOrfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieniChristoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger BarockorchesterB Minor010A70 BPM
Jesu, meine Freude, BWV 227: IV. Denn das Gesetz by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi TóthJesu, meine Freude, BWV 227: IV. Denn das GesetzJohann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi TóthF♯ Major02B127 BPM
Mass No. 2 in G Major, D. 167: III. Credo by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes PrinzMass No. 2 in G Major, D. 167: III. CredoFranz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes PrinzG Major19B131 BPM
Dido and Aeneas / Act 1: Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond LeppardC Minor05A101 BPM
Les Indes galantes: Air des Sauvages by Jean-Philippe Rameau, La Chapelle Royale, Philippe HerrewegheLes Indes galantes: Air des SauvagesJean-Philippe Rameau, La Chapelle Royale, Philippe HerrewegheF♯ Minor211A85 BPM
Symphony No. 2 in C Minor, Symphony No. 2 in C Minor, "Resurrection": IV. Urlicht: Sehr feierlich, aber schlichtGustav Mahler, Charlotte Margiono, Jard van Nes, Dresden State Opera Chorus, Dresden Symphony Chorus, Staatskapelle Dresden, Bernard HaitinkD♭ Major03B80 BPM
Matthäus-Passion, BWV 244, Erster Teil: 17. Choral Matthäus-Passion, BWV 244, Erster Teil: 17. Choral "Ich will hier bei dir stehen"Johann Sebastian Bach, Collegium Vocale Gent, Philippe HerrewegheD Major110B76 BPM
Locus iste, WAB 23 by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert JonesLocus iste, WAB 23Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert JonesC Major08B78 BPM
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante by Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt MasurConcertino for Horn and Orchestra in E minor, Op. 45: Adagio - AndanteCarl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt MasurE Minor09A140 BPM
ISRC
BER181401803
Label
L-M Records/RCA Records

Section: 1.0371921062469482

End: 1.041372299194336