"Locus iste, WAB 23" by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones was released on December 31, 1994. The duration of Locus iste, WAB 23 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Locus iste, WAB 23's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Bruckner: Motets by Anton Bruckner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Locus iste, WAB 23 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Locus iste, WAB 23 by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | C Minor | 1 | 5A | 76 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Oxford Schola Cantorum, Colm Carey, Jeremy Summerly | D♭ Major | 0 | 3B | 68 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te Deum laudamus" Allegro | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 112 BPM | ||
Belshazzar's Feast: Thus spake Isaiah | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | B♭ Major | 1 | 6B | 132 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Mass in B Minor, BWV 232: Gloria. Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 4 | 3B | 92 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM |
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