"Concerto Grosso in F Major: III. Vivace (After a. Corelli's Trio Sonata, Op. 3, No. 1)" by Francesco Geminiani, La Risonanza, Carlo Chiarappa was released on October 1, 2012. With Concerto Grosso in F Major: III. Vivace (After a. Corelli's Trio Sonata, Op. 3, No. 1) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani, La Risonanza, Carlo Chiarappa's "Geminiani: Concerti Grossi tratti dalle Op. 3, 1 e 5 di Arcangelo Corelli" album is number 3 out of 32. On top of that, Germany appears to be the country where this track was created. The popularity of Concerto Grosso in F Major: III. Vivace (After a. Corelli's Trio Sonata, Op. 3, No. 1) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in F Major: III. Vivace (After a. Corelli's Trio Sonata, Op. 3, No. 1) by Francesco Geminiani, La Risonanza, Carlo Chiarappa to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Partie a 4 in fis-moll | Johann Pachelbel, London Baroque, Charles Medlam | F♯ Major | 2 | 2B | 107 BPM | ||
Sonata No. 3 in C Major: XI. 11 1. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: V. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 121 BPM | ||
Violin Concerto in F Minor, BeRI 52: I. Allegro energico | Johan Helmich Roman, Terje Tonnesen, Camerata Nordica | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: II. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 117 BPM |
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