"Requiem in D Minor, Op. 48: Libera me" by Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short was released on November 5, 2012. With this song being about 5 minutes long, at 4:53, "Requiem in D Minor, Op. 48: Libera me" by Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in Fauré: Requiem by Nigel Short, Tenebrae, London Symphony Orchestra Chamber Ensemble, William Gaunt, Gordan Nikolitch, Grace Davidson. The popularity of Requiem in D Minor, Op. 48: Libera me is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: Libera me by Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Evening-Watch, Op.43 No.1 | Gustav Holst, Tenebrae, Nigel Short | D Major | 0 | 10B | 134 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
Figure humaine, FP 120: II. Le Role des Femmes | Francis Poulenc, Tenebrae, Nigel Short | A Minor | 0 | 8A | 179 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Confutatis - Live | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir, Kay Johannsen | F Major | 0 | 7B | 70 BPM | ||
Wenn ich einmal soll scheiden, BWV 244 | Johann Sebastian Bach, Tenebrae, Nigel Short | F Major | 0 | 7B | 136 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 0 | 5B | 108 BPM | ||
O clap your hands | Ralph Vaughan Williams, Elora Festival Singers, Thomas Fitches, Noel Edison | C Minor | 1 | 5A | 86 BPM |
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