Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields made "Förster: Horn Concerto in E-Flat Major: I. Con discrezione" available on April 1, 1996. With this song being about 5 minutes long, at 4:41, "Förster: Horn Concerto in E-Flat Major: I. Con discrezione" by Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 30 in Barry Tuckwell: Horn Concertos by Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields, English Chamber Orchestra. Förster: Horn Concerto in E-Flat Major: I. Con discrezione is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Förster: Horn Concerto in E-Flat Major: I. Con discrezione by Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise | Johann Sebastian Bach, Chamber Orchestra of Europe | D Major | 1 | 10B | 67 BPM | ||
Oboe Concerto in C Minor: III. Allegro | Christoph Förster, Xenia Löffler, Batzdorfer Hofkapelle | B Minor | 2 | 10A | 114 BPM | ||
Symphony in D Major, J-C 16: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 122 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
La Molinarella: Symphony | Niccolò Piccinni, International Symphony Orchestra, Silvano Frontalini | D Major | 0 | 10B | 95 BPM | ||
Symphony in C Major, J-C 4: II. Andante | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | G Major | 1 | 9B | 79 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM | ||
Concerto a 5 in E Minor, Op. 5, No. 9: II. Adagio - Presto - Adagio | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM |
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