Johann David Heinichen, Il Fondamento, Paul Dombrecht made "Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1)" available on November 9, 2012. The duration of Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Il Fondamento, Paul Dombrecht's "Galant Court Music" album is number 1 out of 26. Based on our statistics, Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) by Johann David Heinichen, Il Fondamento, Paul Dombrecht to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Concerto Decimo Con L'Eco, B Dur: III. Spiritoso | Alessandro Marcello, Venice Baroque Orchestra | E Major | 1 | 12B | 69 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Concerto in F Major, Seibel 231: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 123 BPM |
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