Edvard Grieg, Alice Sara Ott's 'Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls' came out on September 9, 2016. The duration of Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wonderland - Edvard Grieg: Piano Concerto, Lyric Pieces by Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen. The song's track number on the album is #10 out of 17 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls by Edvard Grieg, Alice Sara Ott has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Children's Corner, L. 113: 6. Golliwogg's Cakewalk | Claude Debussy, Nelson Freire | F Minor | 1 | 4A | 69 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM |
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