Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn made "Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo" available on January 1, 1996. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Prokofiev: Violin Concerto No.1 & 2". In this album, this song's track order is #2. Based on our statistics, Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo by Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Swan Lake, Op.20, Act III: 16. Dance of the Guests and the Dwarfs (Moderato assai - Allegro vivo) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 127 BPM | ||
Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene (Allegro - Valse - Allegro vivo) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 2 | 4B | 69 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | B♭ Minor | 3 | 3A | 129 BPM |
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