Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien made "Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo" available on 2002. Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Hilary Hahn's "Mendelssohn & Shostakovich: Violin Concertos" album is number 5 out of 8. Based on our statistics, Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo by Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Five pieces for Two Violins and Piano: V. Polka- Vivace | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Sonata for Violin and Piano No. 3: I. Adagio (Verse I) - Andante (Verse II) - Allegretto (Verse III) - Adagio (Last Verse) | Charles Ives, Hilary Hahn, Valentina Lisitsa | B♭ Major | 1 | 6B | 72 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Shostakovich: String Quartet No. 2 in A Major, Op. 68: I. Overture - Moderato con moto | Dmitri Shostakovich, Borodin Quartet | D Minor | 1 | 7A | 147 BPM |
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